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It’s this automatic analysis that is included with DaVinci Resolve Studio. Every Resolve Studio user can leverage Dolby Vision shot analysis to create Level 1 (L1) Dolby Vision metadata – remember from Part 2 of this series, L1 metadata can be thought of as the automatic tone mapping performed by the Dolby Vision algorithm to the required SDR target as well as any lower nit level downstream HDR targets. Resolve Studio features Dolby Vision automatic shot analysis, which analyzes the shots in your timeline to generate the metadata that is used to display Dolby Vision across a wide variety of devices. Own DaVinci Resolve Studio? You Have Dolby Vision!īy far the largest development that has happened this year when it comes to Dolby Vision and DaVinci Resolve is that for no additional cost if you own Resolve Studio you have access to Dolby Vision!ĭaVinci Resolve 15 now includes Dolby Vision automatic shot analysis for free! This shot analysis is the basis for every Dolby Vision workflow. Said slightly different – Dolby Vision is here now, and accessible to projects of all sizes. In 2018, along with partners like Blackmagic, Dolby has made a concerted effort to make Dolby Vision accessible to more productions than ever before! While true HDR reference monitoring will still be a hurdle for many, as I wrote about in a previous Insight you can get into HDR grading with way less investment than you think and now that also includes Dolby Vision. It’s true that Dolby Vision has ‘grown up’ in the hands of the top content producers and major post facilities, but if you think about this from Dolby’s perspective, it makes sense – put Dolby Vision to the test with the most demanding users. But nearly all that content creation has been happening at the top end of the content creation pyramid – meaning large productions working at the top post facilities in the world.īecause of this, I understand why many of you have thought of Dolby Vision as an expensive, complicated system and really just the domain of Hollywood and other major players. When it comes to Dolby Vision, the past few years have seen an amazing amount of growth of the system – from the Dolby Cinema Experience to the proliferation of Dolby Vision + Dolby Atmos on streaming services like Netflix, Vudu & Amazon. It’s these developments that I want to cover in this installment of our Getting To Know Dolby Vision series. I still want to do that, but a lot has happened in the Dolby Vision/Resolve worlds since Part 2 back in January 2018 (gulp – where has the year gone?!).
#EASYHDR INSTRUCTIONS PROFESSIONAL#
When I left off this series back in January, I promised that in Part 3 we’d jump in and take a look at the Dolby Professional Tools and creating mezzanine files. New Tools, New Workflows & Dolby Vision For The Masses! Tutorials / Getting To Know Dolby Vision HDR / Getting To Know Dolby Vision Part 3: Dolby Vision For Everyone! Series